Posts Tagged With: Florida west coast

Exploring the Gulf ICW

For the first two weeks of 2026 I’ve been gunk-holing along the Gulf Intracoastal Waterway. The weather has set the journey rhythm instead of the calendar or some imaginary deadline I’d feel obligated to obey. When conditions are good for slow comfortable cruising, I make miles—sometimes under sail, sometimes with the steady reassurance of the engine helping out. I know it’s not a purist way of sailing, but I don’t care, it’s seriously relaxing.

When the weather turns foul or even just vaguely disagreeable, I just tuck myself into some quiet, comfortable corner and wait it out. No drama, no heroics. Just patience, a good anchorage, and a sip of rum. It’s a very relaxing way of moving through the world, kind of like strolling instead of marching.

That said, if you’re the sort who stares at the chart, does the math, and thinks to themselves, “My God, I’ve only gone that far!?”—this style of cruising may drive you a little mad. Progress, in the conventional sense, is glacial. Some days the log shows no change at all, and entire weeks can vanish as if you’ve forgotten to make an entry, but it’s just time invested in simply existing.

For me, though, it’s right up my alley. I’ve never been particularly impressed by distance for its own sake. I’ve got friends in the sea kayaking world that love spending entire days paddling in open water, far from land. My place of passion was just outside the surf break, where the world gets dynamic, where life interacts and your a part of it. I’d rather know one place well than rush past ten of them just to say I did it.

Yep, I can hang in my Hammock while steering

On the first of January I struck out for the vast horizon with all the ceremonial gravitas such a moment deserves… and went twelve miles. There I stayed there for four or five days. It was wonderful. There were only a couple of neighbors, the kind that drift in quietly, stay a night or two, and then vanish without much ado at all. I walked nearly that same twelve miles distance, this time on foot, wandering along the local island beaches. I watched fish cruise the shallows, birds going about whatever inscrutable bird business they conduct, and the trainer jets roaring around overhead, reminding me that while I was moving at the speed of weather and tide, the rest of the world was very much not. The whole affair was delightfully laid back, the days blurring together in that pleasant way that only happens when nothing is demanding your attention.

After about a week the weather forecast lined up perfectly. Clear skies, ten to twelve knots blowing exactly where I wanted to go—one of those rare predictions that reads like a personal invitation. I thought to myself “Excellent, just what I wanted”… It was wrong.

It Started Well

It started out well enough. The breeze was building, the sails were full and drawing nicely, and for a brief window in time everything felt aligned. Then, with no warning, the wind simply gave up. It didn’t shift or misbehave; it just went away. So I started the motor and settled into a long day of motor-sailing, hoping the breeze might remember it had an appointment. It didn’t. Eventually I dropped the sails altogether and just puttered along, the engine rumbling away like it was mildly disappointed in me.

Late in the day enough breeze wandered back to justify hoisting the mainsail again, more as moral support for the engine than anything else. It wasn’t doing much—until the last few miles leading into the anchorage at Navarre, Florida. There, as if to make amends, the wind filled in just right and suddenly we were making about seven knots under the mainsail alone, gliding in as though the entire day had been carefully choreographed rather than haphazardly improvised.

I dropped the anchor just off Juana’s Tiki Bar at Navarre, jumped into the dink, and went ashore for a cold beer. Perspective has a way of returning once there’s condensation on the glass. All in all, it wasn’t a terrible day—just a little frustrating, the nautical equivalent of being promised a smooth road trip and ending up in construction zones all afternoon.

Juana’s Tiki Bar

I’d planned to hang there for a day or two, but the weather turned overcast and a bit dreary. Add in nighttime bridge traffic and the glow of condo lights bouncing around the fog, and the place lost its charm for me. Pretty in its own way—but not the kind of pretty I’m after. I prefer my nights darker and quieter, even if fog does make the condos look like ghost ships suspended in the mist.

The next stop was Spectre Island, tucked into a skinny stretch of the ICW near Mary Esther, Florida. It’s a little jewel of a spot, with a delightful anchorage tucked in behind it—fully protected from weather and boat wakes, the kind of place that immediately makes you breathe easier once the hook is down.

While I was there, the fog rolled in and it stayed for days, all day. Visibility dropped below a hundred feet at times, and it’s remarkable how claustrophobic it feels to sit inside a cloud. Sound and light shrink down to almost nothing, and without any real reference points the world feels oddly unreal. It’s like being stuck in a dream you can’t quite wake up from, where everything is muffled and close and slightly wrong.

Barely Two Boat Lengths

Then, eventually, the fog lifts. The sky opens up and reveals blue again, and it looks impossibly bright, as if someone turned the saturation knob all the way up. The contrast is startling and wonderful, a reminder of just how much you’d been missing without realizing it. Moments like that feel like a small reward for moving slowly enough to be there when they happen.

Not a Bad Way to Start the Day

I’ve still got a couple of days with wind gusts approaching 30 knots so I’ll remain here at anchor, watch the stingrays and herons, enjoy the surf sounds coming from the Gulf, and drink coffee and sip rum. After the front passes I’ll spend nearly a week getting to the clear emerald waters around Panama City Beach area, and do the same thing for a while.

Someone’s got to do it.

Categories: Journey Skills | Tags: , , , , , , | Leave a comment

Dinghy Cruising West Florida

Slowly sailing east from Pirates Cove, Alabama, with the intention of bumping into places interesting.

Pirates Cove~Alabama

At around thirty-five feet long, the Wharram Tangaroa is certainly not a dinghy, but she does share some dinghy like qualities. For example, with a draft of only two and half feet, if we run aground I can jump in the water and push us off. And, to be honest, there has been a couple times where the depth of water and choice of direction have been at odds.

All sails can be easily raised and lowered by one person, as can the anchor with the help of a winch to pull it from sucky mud. The ketch rig balances well, and helps tremendously when tacking through light wind.

‘Curious’ is not a boat that encourages speed or a rushed schedule. She has enough volume in the hulls to accommodate long distance cruising, but overall is small enough to gunk-hole along the coast like a sailing dinghy.

Small-ish ~ Simple

We are not coastal cruisers in the traditional sense. We are dinghy cruisers who happen to be able to sleep aboard in a full sized bed and cook in a wrap around galley. My schedule is defined by which beach we’d like to stop at, our navigation is done in shade, and our overall distance ambition is an ever changing concept.

Lots of Lonely Coastline

The western coast of Florida—beginning roughly around Perdido Bay and stretching east then south in broad, slow waters—is a place uniquely suited to shallow draft boats and slow days. It is not dramatic coastline. There are no majestic cliffs throwing themselves into the sea with crashing waves, no lighthouses with heroic backstories, no fat ocean swells coming from the Gulf of Mexico. Instead there is water that behaves itself, land that doesn’t ask for much, and an endless series of places where a shallow-draft catamaran can slip in, drop the hook, and immediately forget what day it is.

Which for me happens fairly often.

Heading out on a small adventure

This western end of the Florida panhandle and coastal Alabama is a civilized place to provision, repair, delay departure, and find reasons not to leave. The shoulder seasons of Fall and Spring are unbelievably comfortable weather wise. The weather forecasts however, are largely theoretical.

The Gulf Coast, at least in this stretch, operates on a system of how much, and from which direction the wind blows. The winds control the water depth more than tides, the tides arrive whenever they please, and squalls behave like drunks in a bar. They turn up, make a mess, then disappear. This makes it ideal for people like me, who prefer sailing plans that can be altered mid-sentence.

When we finally leave Pirates Cove, our Tangaroa slides along with the soft competence of a boat that has done this before and doesn’t feel the need to comment on it. The water shifts from forest greens to coastal blues with something resembling tea with too much milk in various places. The shoreline gets a little more remote. The buildings retreat. Trees and beaches take over.

Progress becomes optional.

The Gospel of the Dinghy

On a boat like this, the dinghy is not just an accessory. It is the primary means of resupply and exploring the really shallow places. The big boat is for sleeping, cooking, fixing things, and arguing with my cat about anchor scope. The dinghy is for jaunting about.

A Little Cat for the Big Cat

Florida’s west coast is riddled with shallow bays, creeks, passes, and unnamed bits of water that appear to exist solely to reward curiosity. The Tangaroa can nose into many of them, and the dinghy can go everywhere else. These little bays are shallow enough that stingrays ripple the surface when they scurry away and sea grass covered mud flats are home to Blue Crabs, Speckled Trout, and Manatees when deep enough. Skinny creeks that are narrow enough to make you question your choices but not enough to make you turn around. Even when a 6-8 foot alligator launches from the bank 20 feet from the dink.

This is where the Wharram design shines—not because it is fast (it can be), or stable (it is), but because it frees you from the tyranny of marinas. You anchor somewhere quiet, lower the dinghy, and the coastline opens up like a long conversation you don’t have to finish.

Some days the dinghy trip ashore is a purposeful affair—water jugs, groceries, a cold beer at a bar. Other days it is entirely recreational. You row simply because the water looks pleasantly rowable.

Anchoring as an Art Form

Anchoring along this coast is less about technique and more about manners. You choose places where your presence feels appropriate. Places that won’t mind you staying a while, away from the crowds and condo’s.

Delightfully Alone

There are broad bays where you can swing all day without bothering anyone. Narrow creeks where the trees lean in close enough to overhear your thoughts. Sand-bottom coves where the anchor sets with a quiet confidence that makes you trust it more than you probably should.

The Tangaroa, with her twin hulls and shallow draft, settles into these places without fuss. She does not roll. She does not complain. She allows you to forget that boats are supposed to move.

At anchor, time stretches. Breakfast becomes a relaxing process. Reading becomes an activity that takes up way too much time. Maintenance tasks expand to fill whatever space the day provides.

And then there is the dinghy again—waiting patiently, like a dog who knows you’ll eventually want to go somewhere.

Shore Life, Lightly Touched

The west coast towns are not destinations so much as interruptions. Small places with boat ramps, bait shops, post offices, and restaurants that serve food you didn’t know you missed until you smelled it from the dinghy.

Apalachicola

You come ashore salty, and slightly out of step with land-based time. People are kind. They’re curious, but not intrusive. They ask where you came from, then where you’re going, which is the correct question.

There is a particular pleasure in tying up the dinghy somewhere unofficial—no signs, no docks, just a bit of sand that looks as though it has been used before and will be used again. You walk into town knowing you’ll be leaving the same way you arrived: quietly.

Weather, Briefly Considered

Weather along this stretch is a background character. It exists, it has opinions, but it rarely insists on being the center of attention, unless it’s towering up and dark. Morning calms, afternoon breezes, the occasional rain squall that announces itself politely before passing through.

You learn to read the horizon rather than the forecast. You notice how the air feels. How the birds behave. How the boat feels as it dances with the wavelets at anchor.

Certainly Agreeable

Sailing days are chosen not because they are perfect but because they seem agreeable. The Tangaroa responds to this approach with steady, forgiving performance. She will sail in very little wind and tolerate quite a bit more than you’d planned for.

When conditions turn unfriendly, there is almost always somewhere nearby to hide. A bay, a hook behind an island whose name you never learn.

The Pleasure of Not Getting There

Progress southward is incremental. Measured in familiar anchorages and new ones that feel familiar immediately. You may travel ten or twenty miles in a day. Or none at all.

This is dinghy-style cruising: the big boat is transportation between playgrounds. The coast reveals itself in pieces small enough to appreciate. You learn the texture of different waters. The smell of different shorelines. The way the light changes in the late afternoon when the sun slides down into the gulf instead of cliffs.

Feels Kinda Magical

You stop caring where you are on the chart and start caring how the sun feels on deck.

Why This Coast Works

Florida’s western coast doesn’t call for heroics. It rewards attentiveness. It favors shallow draft, patience, and a willingness to spend an afternoon going nowhere in particular.

A Wharram Tangaroa fits this environment not because it was designed for Florida specifically, but because it was designed for people who value access over speed and simplicity over convenience. It’s a boat that forgives indecision and encourages lingering.

Cruising here feels less like travel and more like temporary residency. You are not passing through so much as borrowing space.

Evening

At the end of the day, the dinghy comes back aboard or is tied off astern, depending on mood and mosquitoes. The anchor holds. The light fades. The sounds shift from boats to birds to something you assume is a fish but could be anything.

Best Restaurant

You cook something simple. You eat it slowly. Sip a little rum for captains hour. Then sit and watch the water change color until it decides to stop.

Tomorrow you might sail. Or you might not. Either way, the coast will still be there, doing what it does best: offering just enough to make staying worthwhile.

Categories: Journey Skills | Tags: , , , , , , | Leave a comment

Writing from a Hammock on a Catamaran

There’s a certain kind of magic in writing from a hammock strung between the masts of a small sailing catamaran. The gentle movement of the water, the whisper of the wind in the rigging, the occasional splash of a curious fish — they all conspire to create an atmosphere that’s equal parts peace and possibility.

For many, the idea of crafting stories or articles from a tranquil anchorage, laptop balanced on their lap and seabirds circling overhead, sounds like a far-off dream. But for those traveling long-term on a boat, it can be a regular part of life.

Hot Weather~Cold Drink

This is not a romanticized fantasy. It’s a real, tangible lifestyle — always challenging, often rewarding, but constantly inspiring. Here’s what it’s like to write articles from a hammock, and why more writers, digital nomads, and creators are chasing this fluid way of life.

The Setting: A Floating Writing Retreat

Imagine a quiet bay, fringed with mangroves or lined with rugged cliffs. The catamaran is gently tugging at her anchor chain, facing into the breeze. You’re lying in a hammock, strung under the shade of the mainsail boom or in the netting stretched between the bows. The soundscape is soothing — lapping waves, the distant call of gulls, the occasional creak of the anchor bridle.

This is your office.

Instead of traffic or an office copier humming in the background, you have dolphins chasing food nearby or the rumble of a dinghy heading off for provisions. The distractions are different, and often more beautiful, but the work remains the same: throw down many words, re-read, chop out and replace, read again, chop, replace, and again, and again.

It does take time

The Tools of the Trade (Afloat)

To make this lifestyle work, a few essentials are non-negotiable:

A reliable laptop or tablet.

Solar power, which is gold on a boat. A solid setup with solar panels, charge controllers, and a reliable battery bank means you can keep your gear charged when anchored off-grid full time.

Internet connectivity is critical for research, publishing. Many use mobile hotspots with local SIM cards, Starlink satellite internet, or long-range Wi-Fi antennas to stay connected.

A notebook or journal for those messy brainstorming sessions.

Comfortable seating, including the hammock. On my catamaran, options abound: cockpit cushions, netting between the bows, or feet dangling in the water from the rear swim deck.

With these tools, you can write just about anywhere — at sea, at anchor, or pulled up on a delightfully deserted beach.

Yep, As Lovely As It Looks

Inspiration in Every Direction

Writing from a boat opens your mind in ways not available on land. Living close to the elements sharpens your awareness. You’re tuned in to the rhythms of the weather, the phases of the moon, and the shifts in tide and wind that can change your day.

This awareness seeps into your writing. Even if the articles are not just about sailing or travel, the clarity of thought and reduction in stress can dramatically improve your productivity and creativity.

That said, the stories that unfold around you are often too good not to write about. Maybe it’s the 3 a.m.- 50 knot squall, combined with having dropped the anchor on an old crab pot, and being blown into the beach… and being stuck there for three days. Yep, that did happen.

Big Storm + Crab Trap = Beach Days

These stories become metaphors, anecdotes, and color in the work. Hopefully they help my writing be richer, deeper, with a unique perspective.

The Challenges: It’s Not Always Margaritas and Manuscripts

To be real: writing from a hammock on my catamaran is not always idyllic. Some days, it’s plain uncomfortable.

Heat and humidity can make concentration difficult, there’s no air conditioning, especially if there’s no breeze in a hot anchorage. Heat becomes oppressive, your brain fogs up, and your skin feels on fire. Deep cold can have the same effect.

Motion can be distracting. Even at anchor, strange swells can rock the boat unexpectedly. It might feel dreamy to sway in a hammock, but a harmonic can set up, wildly slinging you side to side. Within two swings I’ve been violently thrown side to side with arms and legs flailing like an epileptic spider.

Internet loss can delay deadlines. Although to be fair, it’s usually because I couldn’t be arsed to do the work on time.

Honestly, Couldn’t Be Arsed

You don’t have a desk, or consistent workspace. You learn to be flexible, literally — shifting between cross-legged on an engine box, leaning against a bulkhead, or sitting on sand…and, let’s not forget, the hammock.

Noise is different but it is ever-present. Wind through the rigging can get old quickly. Water slapping against the hull or the dinghy can feel rhythmic or irritating depending on your mood. Rain, or neighbors in nearby boats cranking up their version of ‘music’ can disrupt your train of thought.

But despite these drawbacks, the benefits far outweigh the inconveniences.

Routine and Rhythm: Writing in Sync with the Sea

Living on a boat means living by rhythms: tides, weather, sunrise and sunset. Writing fits into these patterns surprisingly well.

A Nice Way To Wake Up

Early morning for me is the golden time to write. The boat is quiet, the world is slowly awakening, and the growing light is gentle. With a pot of coffee and a fresh breeze, maybe some Enigma from the speakers, ideas and thoughts flow freely. It’s a sacred time before the day begins. Dreams from the night before are still fresh, and dreams of the future feel more attainable.

Midday, especially in the hotter climates, are for siestas or swimming, and sometimes boat work. Occasionally writing resumes in the late afternoon or just before sunset. More often though, it’s a cool drink and just watch the world as it happens.

The Freedom Factor

There’s no boss looking over your shoulder. No traffic jam on the way to an office. No beige cubicle walls. You answer to the wind, the weather, and your own motivation. Which in my case can be seriously lacking at times. I’ve always been the kid staring out the window with a chalkboard duster flying my direction.

Writing on a boat demands discipline, but it gives back an incredible sense of freedom. You might spend a week anchored near a town, writing at a table in a local bar, and the another in a remote little bay, swinging in the hammock as you polish the latest jumble of thoughts on the page.

You don’t have to wait for a writing retreat. You’re already living one.

Monetizing the Lifestyle

To support this life, many writers diversify their income streams. Here are a few common ways writers afloat stay afloat financially (I look forward to being one of them!):

Freelance writing for blogs, magazines, and online publications

Content marketing for companies that allow remote work

Writing and self-publishing books, particularly about sailing, travel, or digital nomad life

Running a blog or YouTube channel, monetized via ads, sponsorships, or Patreon

Offering editorial services, like proofreading, editing, or ghostwriting

Apparently the key is to maintain consistency — in delivering work, and managing expectations. Some may never appreciate you’re working from a hammock on a catamaran — and that’s fine. Others may find it fascinating and want to hear more…I like them.

Connection, Solitude, and Stories

Writing on a boat gives you solitude — the kind that fuels introspection and creativity. But it also gives you connection: with nature, with other sailors and people you meet along the way.

Good Times

And all good stories are born through connection.

Tales are shared over sundowners in the cockpit. Experiences and ideas are traded with fellow cruisers. You get invited into local communities where your outsider eyes notice things others take for granted. All of these moments become fuel for articles, whether you’re creating a narrative essay, cultural commentary, or instructional outlines.

Final Thoughts: The Floating Writer’s Dream

I guess there’s no one-size-fits-all way to live and write from a boat. Some writers are full-time cruisers who work between passages. Others split their time between land and sea. Some are novelists, others are bloggers or journalists. But what they all share is the ability to adapt — to embrace change, learn to appreciate discomfort, and create even when the world beneath them constantly moves.

Writing articles from a hammock on a boat, or on the sand of a beach, it isn’t about luxury. It’s about choice. It’s about choosing a slow pace over speed, balancing presence with productivity, and story over schedule.

Yep

And when the sun sets over a glassy anchorage, the stars come out, and your latest article is saved and submitted, you can know one thing for certain: no cubicle in the world can compete with this.

Categories: Journey Skills | Tags: , , , , , , | Leave a comment

Website Powered by WordPress.com.